Kimsooja biography of rory

Currently based in Seoul and Paris, Kimsooja is an internationally acclaimed conceptual artist whose practice explores the conditions of humanity. Working with different media spanning painting, by sewing, installation, performance, video, sound and light, Kimsooja moves form into action, using the materiality of the mediums, and reaching into issues of aesthetics and humanism thereby bringing us to a state of heightened awareness.

Since the beginning of her artistic career in the s she has explored kimsooja biography of rory modes of expression, adopting new conceptual methodologies to her practice as a painter. Because of what art means to me, I have endeavored just as much to protect and treat my life with value. The latest Desert X AlUla biennial features 15 newly commissioned pieces that explore the unseen.

Es gibt fast nur Licht und Luft zu sehen. Caught between personal tragedy and a global pandemic, Kimsooja found solace in a field of dreams. Her art practice continues to merge elements of beauty, impermanence and universality, effortlessly and paradoxically cutting to the core of contemporary culture. When does an audience stop seeing the artist and start seeing what the artist is looking at?

Kunstforum Nr. The Korean-born New York-based artist had the audacity to offer visitors an anechoic—or sensory deprivation—chamber off the main gallery of the pavilion, which served as an antidote to the sensory-overload that is the hallmark of most Biennale installations. InKimsooja records her performance in Paris, where she contemplates our reality of constant migration in a global society that drives us as migrateurs of every society we come from and are heading toward.

InKimsooja presented her most iconic work: A Needle Woman[ 1 ] a performance video piece that premiered at CCA Kitakyushu and further evolved in subsequent showings as a multi-channel video projection. A Needle Woman and A Laundry Woman exposed the artist's stances on non-doing and immobility as a form of art practice; specifically, lending to the action of immobility the virtue of inverting an audience's linear perception of space and time.

As well, her use of the Korean color spectrum Obangsaekin which each color stands for a cardinal direction in Korean tradition, took up great importance. The artist then digitally layered an eclipse, in which the footage of the Sun and the Moon were fused together. In Earth — Water — Fire — Aira multi-channel video projection that premiered at the Lanzarote Biennale, Spain, the fusion of basic elements was grasped live by the artist on the Island of Lanzarote in the Canary IslandGuatemala, and Greenland.

Starting inKimsooja initiated a 16mm film project entitled Thread Routes. Divided into six chapters, the series unfolds as an anthropological poem that takes the act of threading as a central subject. It takes place in six different cultural zones around the world, its six preliminary chapters shot in Peru, Europe, India, China, North America, and North Africa.

A five-channel audio track entitled The Weaving Factory accompanied the piece, forming a couplet of inhalation and exhalation of the artist's own breathing that became increasingly less agile as the color spectrum continued its gestation. Over the last two decades, Kimsooja has developed works that uses lights and color—in parallel to Obangseak color spectrum, which represents 5 cardinal directionality in Korean philosophy—in response to many historical and modern buildings.

A Lighthouse Woman was a site-specific installation where Kimsooja used light, color, and sound to transform the abandoned lighthouse in Morris Island Charleston, South Carolina for the Spoleto Festival. To Breathe — A Mirror Womanwas developed for the Palacio de Cristal in Madrid in[ 36 ] was a mirror installation that covered the flooring of the Palacio.

The entire cupola of the palace was covered with a translucent film that diffracted daylight and the Palacio was also replete with the sound of the artist's breathing.

Kimsooja biography of rory: After graduating with an MFA

In Lotus: Zone of Zero was first installed at Palais RameauLille, Kimsooja hung six rows of concentric circles consisting of temple lanterns in the shape of lotus blossoms from the glass pavilion. Six speakers aligned the circle simultaneously played GregorianTibetanand Islamic chants, which echoed throughout the room and united at the hollow center.

According to Kimsooja, this is the realm of "Zero," in which different faiths form a harmonious union that transcends into a space for meditation and contemplation. The many lanterns hung overhead were meant to humble the viewer and remind them of their relationship with their community. Kimsooja created Lotus: Zone of Zero in response to the Iraq War ; she wanted to create a place where different religions and people of different cultures could live in a state of harmonious coexistence.

Her sound piece The Weaving Factory — also filled the pavilion with the sound of the artist inhaling and exhaling. Other notable public commissions include: A Needle Woman: Galaxy was a Memory, Earth is a Souvenira monumental foot-tall sculpture commissioned and installed for the Cornell Council for the Arts Biennial on the campus of Cornell University ; [ 40 ] and Mandala: Zone of Zerowhich premiered at The Project in New York City in and consisted of the sound of Tibetan, Gregorian, and Islamic chants animating a large target-shaped jukebox.

Kimsooja wraps her belongings in a container, and transports them from one continent to another, a metaphor for her perpetual nomadic Bottari. InKimsooja is the first contemporary artist of the 21st century to have been commissioned permanent stained glasses for the Metz Cathedral in France. These plants, which are grown and harvested in a period of several months, will transform into paintings that could last for centuries.

Ina permanent artwork at Mairie de Saint-Ouen metro station in Paris was unveiled. Contents move to sidebar hide. Article Talk.

Kimsooja biography of rory: Through intimate self-portraits and pigment

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September Learn how and when to remove this message. In this Korean namethe family name is Kim. DaeguSouth Korea. Name [ edit ]. Early career [ edit ]. Performance and video works [ edit ]. Early performance and video works [ edit ].

Kimsooja biography of rory: The South Korean artist Minouk

A Needle Woman [ edit ]. Main article: A Needle Woman. Other video and film works [ edit ]. Site-specific installations [ edit ]. Exhibitions selection [ edit ]. Awards, fellowships and commissions selection [ edit ]. Biennials and triennials selection [ edit ]. Further reading [ edit ]. References [ edit ]. Archived from the original on 9 August Retrieved 1 October Archived from the original on 26 June — via kimsooja.

ArtReview Asia : 48— Archived from the original on 26 February Retrieved 29 September Kunstforum International in German. Archived from the original on 21 October Lavigne, Emma ed. Milano: Silvana Editoriale. FR EN. Support us.

Kimsooja biography of rory: Sang Woo Kim was just ten

At the Villa Vassilieff. Villa Vassilieff - 21, avenue du Maine Paris France info[at]aware-art[. Korean visual and video artist. Read more. Next image. Born in