Jim morrison biography mr. risin

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Jim morrison biography mr. risin: James Douglas Morrison was

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Archived from the original on September 6, The Palm Beach Post. September 21, That Jim spent years in a state that the medical profession would consider alcoholism, chimes readily with this pattern. This also matches his love of evasion, confusion and alternate states of consciousness; his desire to take audiences to places they hadn't been, his involvement with theatre, music and the blending of the two.

Neptune is also part of another pattern in the chart. These five-series aspects alert us to the deeper underlying qualities in the chart. Five series aspects concern the ability to construct our own reality, to pattern and connect; the brilliant functions of the mind. Their very hidden quality — most astrological charts don't list them — clue us in to their nature of indicating a kind of often unnoticed mind-based agenda.

Those with strong five-based patterns in their charts can be obsessive, brilliant constructors of mental realms and ideas, possessed by the will to impose their mind's vision on the world around them. The power of five in Jim's chart is suggestive of what band mate Ray Manzarek pointed out, that "Friedrich Nietzche killed Jim Morrison" and that he had witnessed the process.

I make this connection because it was Nietzche's philosophy that impacted on Jim's life in the summer ofwhen he read and re-read The Birth of Tragedy and never let go. Put simply, a philosophy that runs with the notion that things that don't kill you make you stronger was very attractive to Jim and seemingly lit the fuse in his relentless pursuit of experience, of grasping everything he could, from endless drinking, sexual conquests, literally standing on precipices, and onward.

Thus Nietzsche's ideas took a hold of Morrison and made him. This, it seems, was the moment he chose his life's path. Perhaps appropriately, given her subsequent interest in narcotics, she was born in Weed, California. Her Pluto sat exactly on Jim's Descendant and she lived the role to the full. Not only did she find herself involved with an increasingly powerful, polarising cultural icon, she was also caught in a complex and seemingly fated relationship where her outrageous demands and extreme personality contributed to dramatic permutations on themes of love, hate, jealousy and outrage.

She considered herself married to Jim, but he would not marry her. Theirs was a deep compulsive attraction that never found balance, not least because both could be sexually rapacious. Friends also allege that sexual incompatibility was also a crux of their problems, Jim's turn-ons being Pam's turn-offs. Pluto found expression in their constant battles, Pam throwing Jim's things into the street, both of them involved in endless public rows and humiliations.

Pam was controlling and stood up to Jim's will with an equal will of her own; she sank his wealth into a failing fashion boutique. Both of them were unfaithful, acting out with other partners and having open affairs, presumably motivated by indifference to taboo, lust for life and desire to hurt the other. There were endless cycles of reconciliation, abuse and redemption.

Given the times and their status it seems almost inevitable that heroin would enter their lives. It did, in classically murky style, toward the end of Jim's life, allegedly via Pam. At least by that time she had Jim — in true Pluto style — alone and exiled, allegations of Jim's 'marriage' to Patricia Kenealy in a Wicca ceremony having been left in the States.

His exile also, it would seem, took him away from numerous paternity cases. The peak of Jim's public trajectory came in his career as chief agent-provocateur, lead singer and focal point of The Doors. The band gave a public forum to one of the angriest and most intelligent rock stars of the times and Jim took the opportunity to shove at boundaries of taste and stage craft far harder than almost all his contemporaries.

Ray was tremendously impressed and the two immediately agreed to form a band, and that Jim should share Ray and his girlfriend's place. They were all squares and oppositions making up a t-square of push onto that Sagittarian Sun. Clearly, Jim Morrison recognized these existential facts of life. But one wonders what Mr. Morrisons's state of mind was at the time he wrote that lyric, recorded the raunchy but rockin' "Road House Blues" track, and some time soon after died of an apparent drug and alcohol overdose.

Had he succumbed to nihilism? Or "clinical despair"? Was his slow death a sort of passive suicide? An escape from his existential Angst? Accounts of Jim Morrison's mental state during his four-month retreat to Paris after leaving Los Angeles are varied and conflicting. There are some indications, such as certain letters he wrote to friends and business associates, that he was happy and optimistically planning a future life in Paris.

On the other hand, there are reports of very heavy alchohol abuse "Oh show me the way to the next whiskey bar. According to Sam Bernetta former New York Times reporter and French friend of Jim's, Morrison died probably from respiratory jim morrison biography mr. risin of an unintentional nasal heroin and alcohol overdose in a notorious Parisian nightclub, and his lifeless body was then moved to his apartment to avoid a scandal.

This version of jims morrison biography mr. risin clearly contradicts but in some ways, seems more credible than the description of what happened by Jim's long-time girlfriend Pamela Courson, an alleged heroin addict, who told police that they had spent the night together drinking, and that Morrison became quite ill during the night, vomiting blood, and was discovered by her in the bathtub fully clothed?

In either case, the French police suspected no foul play or evil deeds such as homicide. Courson herself reportedly died of a heroin overdose several years later in California. Whatever demons Morrison was trying to escape from in Los Angeles including an appeal of his conviction on obscenity charges and pending jail sentence evidently accompanied him across the Atlantic, and much like the glaring gargoyles atop Notre Dame, were a constant presence in Paris.

Toward the end "This is the end, my only friend, the end.

Jim morrison biography mr. risin: James Douglas Morrison (December 8,

Morrison had always, according to friends, been obsessed with death. A very existential theme "No one here gets out alive. Did he harbor an unconscious death wish? Mortality is certainly one of life's "ultimate concerns" Tillich, Death anxiety rumbles constantly beneath the surface of consciousness but is deliberately denied or avoided by most.

But, paradoxically, chronic denial or evasion of death anxiety can lead to a morbid obsession regarding mortality. Jim Morrison had attained fame, money, women, artistic recognition and admiration beyond even his wildest imagination.

Jim morrison biography mr. risin: Jim Morrison was a troubled

Their engagement as the house-band at the Whisky for four months did nothing but strengthen and expand that core into a throng of dedicated followers who would show up every night, for two shows a night. Jim worked up his stage show and one night Elektra Records Jac Holzman dropped in to see the band that was making all the noise. Producer Paul Rothschild also showed up and the band, who had frightened every label in town away.

Was signed on the spot for then thousand dollars. The Doors legend spread. The combined need for a hero and a controversial spokesman, blending poetry and insanity was the mark he aimed for. And he hit it. The Doors became nothing less than myth-makers, Morrison a performer of monstrous proportions. They stood for all the unpredictable and forbidden excitement America had ever dreamed of — and they delivered.

The press called it Theatre Rock. Gothic Rock, Theatre of the Unknown. But that only came close to describing the overwhelming presence of the Doors. The Doors were not act. They were very alive. Ray Manzarek on keyboards was incredible. John Densmore was one of the most under-rated drummers of all time. And in front, picture beautific, angelic, unpredictable, gamey, and brilliant Jim Morrison.

Jim was everything you have heard of and more. Whether he took a grip of a rising curtain, hanging on until it stopped, then dropping twenty feet as he did at a concert in New Jerseyor diving off the stage, flopping like a fish out of water or suddenly dropping like he was just shot at point-blank rage, Morrison delivered his very best.

He would fondle the microphone stand, as the music would build; Morrison was a shaman. He would go into a trance, and take the audience with him as they were mesmerized by the music. His performances were electric. The audience would sit in awe on nights such as these, when The Doors were at their best. The band would put them on the edge of their seats, caressing them with an hypnotic, pacifying rhythm — lifting and peaceful.

Then the mood would grow ominous. And it would build, and Jim would writhe, the instruments would lock and the air would crackle and intensify. Jim would throw back his head, moving his left leg in time with the music. Then, at the height of excitement the music would stop. Densmore awaited the clue. Kriger lost in a daze.