Film contact de robert zemeckis biography

McKay was published in the journal Scienceproposing that the meteorite might contain evidence for microscopic fossils of Martian bacteria later, a disputed interpretation. Good afternoon. I'm glad to be joined by my science and technology adviser This is the product of years of exploration Like all discoveries, this one will and should continue to be reviewed, examined, and scrutinized.

It must be confirmed by other scientists. But clearly, the fact that something of this magnitude is being explored is another vindication If this discovery is confirmed, it will surely be one of the most stunning insights into our universe that science has ever uncovered. Its implications are as far reaching and awe inspiring as can be imagined.

Film contact de robert zemeckis biography: Robert Lee Zemeckis (born May

Even as it promises answers to some of our oldest questions, it poses still others even more fundamental. We will continue to listen closely to what it has to say as we continue the search for answers and for knowledge that is as old as humanity itself but essential to our people's future. Thank you. Later in the film, a separate fragment of generic remarks by President Clinton, speaking about Saddam Hussein and Iraq at a different press conference in Octoberwas lifted out of context and inserted into Contact : [ 48 ].

I would encourage you not to inflame this situation beyond the facts. Let us deal with this on the facts. We are monitoring what has actually happened. The letter made no demands, but called the duration and manner of Clinton's appearance "inappropriate". No legal action was planned; the White House Counsel simply wanted to send a message to Hollywood to avoid unauthorized uses of the President's image.

Zemeckis was reminded that official White House policy "prohibits the use of the President in any way A Warner Bros. They saw scripts, they were notified when the film was completed, they were sent a print well in advance of the film's July 11 opening, and we have confirmation that a print was received there July 2. While the Counsel commented that parody and satire are protected under the First Amendmentpress secretary Mike McCurry believed that "there is a difference when the President's image, which is his alone to control, is used in a way that would lead the viewer to believe he has said something he really didn't say".

Johnson added that, for Contactthe CNN presence "creates the impression that we're manipulated by Time Warner, and it blurs the line". CNN then changed their policies for future films, which now require potential appearances to be cleared through their ethics group. The scene where the NASA scientists give Arroway the " cyanide pill " caused some controversy during production and when the film came out.

Gerald D. Griffinthe film's NASA advisor, insisted that NASA has never given any astronaut a cyanide pill "just in case", and that if an astronaut truly wished to commit suicide in space, all they would have to do is cut off their oxygen supply.

Film contact de robert zemeckis biography: Contact is a American science fiction

Zemeckis said that because of the two radically different assertions, the truth is unknown, but he left the suicide pill scene in the movie, as it seemed more suspenseful that way, and it was also in line with Sagan's beliefs and vision of the film. He was a technical advisor for Ron Howard's film Apollo Despite these small inconsistencies, they maintained that " Contact is indescribably more accurate in its depiction of SETI than any Hollywood film in history.

Under their development agreement, [ 52 ] Coppola and Sagan were to split proceeds from the project, as well as from any novel Sagan would write, with American Zoetrope and the Children's Television Workshop. The TV program was never produced, but inSimon and Schuster published Contactand Warner moved forward with development of a film adaptation.

Although Torres agreed that Sagan violated some terms of the contract, he explained that Coppola waited too long to file his lawsuit, and that the contract might not be enforceable as it was written. In Aprilthe CCA dismissed his suit, finding that Coppola's claims were barred because they were brought too late. The court noted that it was not until that the filmmaker thought about suing over Contact.

Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikiquote Wikidata item. South Side Amusement Company. Release date. July 11, Running time. Plot [ edit ]. Cast [ edit ]. Production [ edit ]. Development [ edit ]. Filming [ edit ]. Visual effects [ edit ].

Music [ edit ]. Themes [ edit ]. Release and reception [ edit ]. Box office [ edit ]. Home video [ edit ]. Critical reception [ edit ]. Awards [ edit ]. Reactions [ edit ]. Bill Clinton [ edit ]. CNN [ edit ]. NASA [ edit ]. SETI [ edit ]. Lawsuits [ edit ]. See also [ edit ]. References [ edit ]. British Board of Film Classification.

July 22, Archived from the film contact de robert zemeckis biography on November 29, Retrieved November 16, Entertainment Weekly. Archived from the original on May 19, Retrieved January 27, Box Office Mojo. Archived from the original on April 18, August 22, Archived from the original on December 1, Retrieved August 13, Contact: A Novel.

New York City: Simon and Schuster. ISBN Archived from the original on October 18, See production info at IMDbPro. Videos 3. Trailer Clip Photos Add photo. Jodie Foster Ellie Arroway. Matthew McConaughey Palmer Joss. Tom Skerritt David Drumlin. John Hurt S. Jena Malone Young Ellie. David Morse Ted Arroway. Geoffrey Blake Fisher. William Fichtner Kent.

Timothy McNeil Davio. Laura Elena Surillo Cantina Woman. Henry Strozier Minister. Max Martini Willie as Maximilian Martini. Larry King Larry King. Thomas Garner Ian Broderick. Dan Gifford Jeremy Roth. James Woods Michael Kitz. Ellie and Palmer disagree about God; as viewers, we are surprised and pleased that the movie lets them debate the subject.

Most Hollywood movies are too timid for theology. And if so, whose? Drumlin, in the manner of all bureaucrats everywhere, conveniently forgets his opposition to SETI and smoothly takes the credit. The signals, which include a startling bounce-back of a TV image from Earth, provide a schematic diagram for a machine that, apparently, would allow a representative of the human race to travel to the home of the race that sent the signal.

Zemeckis has filled his movie with intriguing characters, played by good actors. And there are two presidential advisers James Woods and Angela Bassett who, in the great tradition of movies about aliens, consider the signals to be a possible threat. And there are others, but I will not describe them, in order to leave key secrets intact.

What happens in the last third of the film, indeed, I will not describe. In truth, to a point it was always on something of a hiding to nothing here. When Ellie does her journey to Vega, you sort of know, on first watching, that what she discovers has a lot to live up to. Zemeckis, bravely, goes small, rather than large when the eventual alien meeting happens.

The alien life, we learn, is in a form Ellie will recognise. And the speech about this being the first step in a process that could take billions of years is a logical one. When Ellie lands on the alien planet, the shot that Zemeckis uses is one that goes into her eye again at first. The implication therefore is that this is imagined, or in her head, or at least not as real as it may first appear.

There, she goes through the sequence where she meets the alien in the form of her father. But is she seeing who she wanted to see? The wonky trees of a childlike drawing have become realised…. Is that there to inject doubt in our minds, and lend her credence? If you missed it, here it is….

Film contact de robert zemeckis biography: film Contact (), both critically acclaimed

So is that real? Did she imagine that? And the film acknowledges that. I love that Contact spends a good ten minutes questioning whether Ellie was believing this had happened, or whether it actually had. For me, at that stage, the ambiguity has gone. We see from multiple angles the pod dropping through the machine in an instant. Where does 18 hours of static come from in that time?

But it feels just a little too definite and spoon-fed for me. It feels like, in the argument between science and faith, so wonderfully balanced throughout the film, that Contact ultimately picks its winner.